Pink Elephants
Jul. 29th, 2025 06:58 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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... this being the style I have already sacrificed one of to The Endless Woodchip. Attempt at loss the first occurred while putting up tent; attempt at loss the second occurred late on Saturday night, when I was rushing from A to B to provide a roll-mat to a player and lost a fight with the bunting we use to discourage people from walking into the tent in places we don't want them to.
It was dark. Nonetheless I spent several whole minutes searching before giving up and resolving to try again in daylight. Consequently I got up good and early to start hunting before the team started carting all of the Objects back out of the storage ISO (all of the in-character valuables get locked away overnight while the tent's unstaffed...) and... discovered it really wasn't going to need much hunting after all.
( Read more... )
Tragically the brass hair stick I pulled out of "freecycle" before letting the players at the aged-out lost objects... wound up getting dropped in a known fairly well-defined location, and vanishing utterly into the ether, despite a good five people having a hunt for it. Ah well; maybe it'll show up next time, and maybe it won't, and either way I am likely to have future opportunities to Acquire More Hair Adornment.
Basil knows that Dawson is cleverer than he gives himself credit for, and he sets out to prove it, but things don't go exactly as planned.
Some book reviews that have lately crossed my line of sight.
Andrea Ringer. Circus World: Roustabouts, Animals, and the Work of Putting on the Big Show:
Ringer is not interested in the perceived glitz and glamour of big top spectacles. Rather, she presents the golden age circus as a site of working-class labor, where both humans and beasts toiled from day till night under the near-constant gaze of thrill-seeking visitors.
....
_Circus World _is the sort of book that will captivate (and, in some cases, horrify) a great many readers. It's a
must-read for anyone interested in the history of the modern circus; the same is true for historians of animal entertainment and industry. Gender studies scholars will appreciate Ringer's fresh insights into the ways circuses amplified colonial and patriarchal notions of race, gender, and family. Plus, the book's short length and bite-sized
chapters make it ideal for classroom use. Above all, _Circus World _succeeds as a work of labor history, one that takes nontraditional work and nontraditional workers seriously.
Dominic Pettman. Telling The Bees: An interspecies Monologue. Possibly a bit twee/poncey?
Weary of the insistent demands and disappointments of online life in the early 2020s, Dominic Pettman turned to a very old practice: Rather than commenting on current events by posting for his followers on social media, he would tell the bees instead. The record of this experiment is _Telling the Bees: An Interspecies Monologue_ (2024). "Indeed, this time-honored activity--practiced in villages all over Europe, for centuries--seems much healthier to me than confessing things to the digital ether, the anonymous world via social media," he writes early in the journal (p. 2).
....
In Pettman's case, as a resident of New York City, he doesn't have much access to actual, in-the-flesh bees. The apartment co-op won't let him have a hive on the roof, for one thing. At the start he makes do by talking to "wild" bees he encounters on his walks in Central Park, but as the seasons change and the threats of COVID-19 force
ever smaller spaces of interaction, Pettman conjures and speaks to virtual bee--"the memory of bees," as he calls it, prompting a wry rejoinder from a waggish colleague: "These bees ... Are they in the room with us now?" (p. xi).
Readers seeking a journal of material human entanglement with physical bees will not find that here. Pettman's virtual bees are much more akin to the "virtual animal totem" [.]
This one does involve actual encounters with the beasts in question, it would appear: Leslie Patten. Ghostwalker: Tracking a Mountain Lion's Soul through Science and Story.
Patten then combats history and myth with a series of case and site studies in Montana, Wyoming, New Mexico, Colorado, and California, and interviews with mountain lion experts of every stripe--from trackers, hunters, and houndsmen (people who hunt with dogs) to wildlife biologists and conservation management specialists. Along
the way, Patten nimbly debunks so many myths about cougars--that they are isolate, cold-blooded killers who need to be managed to keep them from pets, livestock, and small children and that legal hunts are an effective way to manage and stabilize populations.
Hedgehogs in fact are ambiguously situated: Laura McLauchlan. Hedgehogs, Killing, and Kindness: The Contradictions of Care in Conservation Practice.
In the UK, hedgehog conservation is both necessary and supported by the public: Population numbers are in steady decline, while the animals themselves occupy a fond place in the British consciousness. The second section details her fieldwork in New Zealand at pest-control initiatives, including outreach events and community pest-control groups, conservation initiative Zealandia (a completely fenced ecosanctuary in Wellington dedicated to restoring
native flora and fauna), and her own "guerrilla" care for local hedgehogs. In New Zealand, hedgehogs are thriving despite their status as an invasive species, provoking widespread public animosity.
Every month in OTW Signal, we take a look at stories that connect to the OTW’s mission and projects, including issues related to legal matters, technology, academia, fannish history and preservation issues of fandom, fan culture, and transformative works.
A recently published study in Nature Humanities and Social Sciences Communications finds that fanfiction readers are more likely to click on stories that feel familiar, but they enjoy those stories more when there is something novel about them.
Balance theory, a widely accepted theory in psychology, suggests that for a creative work to be successful (widely enjoyed), it needs to find the middle ground between feeling comfortable and familiar, yet be novel enough to still be interesting.
Using Archive of Our Own (AO3) as their primary source, researchers analyzed metadata from over 670,000 fanworks across 23 fandoms. They measured a story’s novelty by comparing its content against other stories in the same fandom and measured success primarily with a ratio of hits to kudos, then compared the two datasets.
Researchers found that contrary to balance theory, the middle ground between familiar and novel does not guarantee success for fanfiction. Their research shows that stories that were more familiar tended to get more clicks, but it was stories with more novelty that had a higher hit to kudos ratio.
“Although high-novelty works tend to be read by fewer people, those who read are more likely to express their enjoyment.”
This study highlights that in fandom spaces, success isn’t completely defined by reach or popularity. A fic that is deeply enjoyed by a small audience can still be meaningful and impactful.
In “The K-popification of F1”, Teen Vogue looks at how a new wave of Formula 1 fans are reshaping the fandom. What was once considered to be a niche, male-dominated sport has become home to fan practices typically found in K-Pop communities. From fashion to fanvids, fans are engaging with the drivers and teams in a novel way:
In many ways, F1 has evolved from a legacy motorsport into something that feels more like a multimedia pop franchise. F1 drivers are no longer just elite athletes behind the wheel; they’re fashion muses, meme material, and, in the eyes of a growing Gen Z fanbase, idols. It’s no surprise the sport has drawn fans from other hyper-engaged fandoms.
Many fans in this new wave were introduced to Formula 1 through digital platforms like TikTok, YouTube, and Netflix’s Drive to Survive, rather than traditional sports media. These platforms offer a behind-the-scenes look at the sport’s personalities, drawing in fans who may have never watched a race otherwise. These fans are bringing with them expectations shaped by K-pop fandom culture. They seek direct access to the drivers beyond the track, emotional narratives, and authentic representation.
This push for greater inclusion and visibility has helped lead to initiatives like the F1 Academy, an all-women racing series that reflects the changing face of the sport’s audience. It shows that the sport is starting to recognize how important diversity and representation are to its future.
These fans aren’t just redefining what it means to be an F1 supporter. They’re showing that fandom can be a powerful, intentional force that helps reshape the media it connects with.
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